21 Jul 2009, Posted by Eric Karstens in Off topic: Art, etc., 0 Comments
Haunted Media Art in Dortmund
The show’s title may sound dubious, but it is actually very well selected and always keeps an ironic – however cautiously admiring – distance from its exhibits. There are, for instance, displays of the lifetime efforts of two men who tried to prove that dead people spoke to them through white noise and intentionally distorted sounds and images on (video-)tapes, TV screens, or radios. But the curators put them in bays with grey wall colour in order to separate them from the white- or black-walled displays of art elsewhere in the room. Rather than take such eccentrics (to put it mildly) too seriously, they use them as examples of how artists might have found the inspiration to tackle ghosts and the supernatural in their works.
The actual art works play with the subject in a variety of ways. While some expose the self-appointed psychics to ridicule, many use them as a hook for experiments with electronic and audiovisual equipment, and yet others try to approach the border area of the paranormal by setting out sensors that may or may not catch signals from beyond.
Lucas and Jason Ajemijan from the United States, for example, transcribed a 1971 Black Sabbath song in reverse order and then had it performed by an orchestra in order to find out whether it contained hidden messages. They videotaped the performance and now play the video forward (i.e., the song backwards), only to suddenly switch the tape’s playing direction midway. This makes for a quite bizarre and fascinating musical experience and is embedded into a full-room installation.
Tom McCarthy recorded snippets read from local newspapers on a flight data recorder (“Black Box”) and broadcasts them over a low-power FM station to the neighbourhood of the Phoenix-Halle, where people can tune their regular radios to the eerie programme.
These are only a few examples of how the exhibition balances tongue-in-cheek approaches with inquisitive and sometimes almost scientific explorations as well as provides peculiar sensory input. It features a total of 22 artists and runs from 16 May to 18 October 2009. Opening times are Thursdays and Fridays from 16.00-20.00 h and Saturdays and Sundays from 11.00-20.00 h.
By the way, a similarly-themed exhibition took place in 2008 at the Kunstnernes hus in Oslo, titled The Ghost in the Machine, which may have provided some stimuli for this one.
See a related blog post by Marc Weidenbaum here.